|  The decade of the 1950s was arguably fandom's Golden Age, especially for British and 
Irish fandom; Walt Willis was just one of the major fan talents on the loose then.  
Another was Ron Bennett, who returns to our pages with another new fanzine article 
about an old fanzine.  In his previous article, Ron exPLOYned the origins of his 
1950s fanzine, PLOY.  This time we learn the Secret Origins and history of 
his focal point 1960s newszine, Skyrack. 
  
  Belgian Big Name Fan, Jan Jansen, 
first came up with the idea that the fandom of the day needed a newszine and in the 
mid-fifties turned out the qualitative but short-lived Contact. 
  
  A year or two later, Terry Carr and 
Ron Ellik came out with their superb and award-winning Fanac but as far as 
British fandom was concerned Fanac didn't quite fill a need, so in 1959 I 
decided to try putting out a small newszine which would cater primarily for the 
British fan. 
  
  Initially, the name was a problem.  
I had hoped, in homage to the Bloomington Newsletter, to have the name of the 
Yorkshire town in which I lived in the title, but 'The Harrogate Newsletter' didn't 
sound quite right.  Even if the town was the birthplace of Michael Rennie! 
  
  As well as being split into the 
famous three Ridings, the county of Yorkshire, where I've spent most of my life, is 
divided into various administrative districts, Harrogate being in the Claro Division. 
'The Claro Newsletter' was given brief consideration, but was soon discarded. 
  
  But wait!  Fifteen miles south of 
Harrogate is the reasonably sized city of Leeds, famous for the growth of the wool 
trade, for ready-made clothing, for Joseph Priestley's experiments with oxygen and, 
of course (he adds mischievously), the world's first science-fiction convention. 
  
  Leeds is in the administrative 
district of Skyrack. 
  
  As a title, The Skyrack 
Newsletter had more of a ring to it.  It neatly echoed Fanac and there 
was a nice SF cachet about the first syllable, Sky. 
  
  Except, of course, that such an 
interpretation of the name is a complete misnomer. 
  
  Way back in the days of the 
Anglo-Saxons... Vince will remember... disputes between various villages were sorted 
out at regular meetings of village elders.  They'd vote by holding up their swords 
or staffs, and a poll of these weapons would be taken.  The meetings became known as 
'Wappontakes', and so did the areas they covered.  Leeds was in the Wappontake of 
Skyrack, for it was at the Skyr-Ack, the Shire Oak, that the meeting took place. 
  
  The old tree, then but a gnarled 
stump -- you know the feeling, too, eh? -- was finally pulled down in the early 
forties when it was deemed to be a threat to traffic.  Presumably, it had the 
tendency to leap out at passing trolley cars.  There's now only a plaque in the wall 
and two neighboring public houses, The Original Oak and The Skyrack.  And I know that 
you can't wait to learn that they're just up the road from the Headingley cricket 
ground where England plays its test matches. 
  
  The first issue of The Skyrack 
Newsletter, appeared in April 1959.  Its four mimeoed, quarto sides carried a 
short report of the British EasterCon in Birmingham.  It cost six pre-decimal pence 
(two and a half decimal) and a six issue subscription could be obtained for 
half-a-crown (2/6d) or 35 cents from my Stateside rep, the now greatly-missed Bob 
Pavlat of Hyattsville, Maryland.  I copied Fanac's practice of a masthead 
cartoon, this initial offering being a John Owen captioned Rotsler illo. 
  
  My own favorite from Skyrack's 
lengthy run of cartoons was one by Eddie Jones which was based on the famous Charles 
Addams picture of the pair of unicorns watching Noah's ark sailing away without them. 
Eddie's version showed a couple of Atom's typical BEMs watching Arthur leave on his 
1964 TAFF trip to PacifiCon II in Oakland. 
  
  My intention was to maintain a 
monthly roll-over schedule, that is to say an issue would appear a month after the 
previous issue unless some newsworthy item came to hand which would really 
necessitate an issue prior to that monthly deadline,  In which case the following 
issue would be scheduled for a month after that 'interim' issue.   This system 
worked well (for me, anyway) and was adhered to until the newsletter's declining 
years. 
  
  For the second issue (1st May 1959), 
Eddie Jones produced a masthead 'SKYRACK' lettering which I kept throughout the 
newsletter's life and then slid it into commercial mundania by adopting it for my 
later book, magazine, and comic selling business. 
  
  Issue number 6 was the first of the 
pre-monthlies, appearing a fortnight after number 5 when I was working temporarily 
in London, meeting different fans nightly and of course 'news' was flooding in from 
every quarter.  Shortly after this there appeared a couple of scurrilous sheets 
called Skyhack and Skyreck, hilarious parodies which I suspect were 
the brain children of Archie Mercer and George Locke, both leading fans and notable 
humorists of the day.  George was at this time appearing regularly in Amazing 
and Fantastic under the pseudonym Gordon Walters. 
  
  Despite thus having been overshadowed 
in the humor stakes by these scandalous sheets, I continued to produce the Real 
McCoy and number 7 warned, naturally enough, "Beware of Imitations." 
  
  This issue also featured a masthead 
cartoon by dear ol' Arthur Thomson, the first of many fine cartoons Atom drew, 
several, for special occasions, straight on to stencil. 
  
  So, over the next six years 
Skyrack went on its merry way, appearing on its monthly roll-over schedule, 
recording British conventions, fan meetings like the London Symposium and, of course, 
informal meetings and parties.   Fanzines were reviewed and changes of address noted. 
There were fan feuds, too, of course, but at all times I tried to keep the reportage 
light and entertaining.  Mostly, of course, I didn't have to try; the fans who sent 
in news accounts and snippets of information were well ahead of me there. 
  
  Typical headlines were: 'Berry Fund 
Successful', 'PittCon Push by Pondfund Planners'  (Terrible!  Definitely my 
favorite!), 'London Circle Disrupts', 'Ford by a Landslide',  'Bentcliffe for 
Pittsburgh', 'Amis for LXIcon', 'Ella Parker for Seacon', 'Scithers in Town', 'TAFF 
Doubles Voting Fee', 'Brian for Yugoslavia', 'Welcome Back Wally', 'Nova Bows Out', 
'Tom All the Way',  'Atom Goes TAFF', 'Death of Don Ford', 'Oblique House Gets 
Mundane Slant' and 'LonCon Programme Takes Shape'. 
  
  Of course, it was fun playing news 
editor and trying to scoop the rest of fandom with some pieces of news, primarily 
Hugo winners and TAFF results. 
  
  From Stateside WorldCons Bob Pavlat 
used to send me Western Union cablegrams made up of the names of the Hugo winners, 
so that, for example, I was able to have ready the last three pages of an issue, 
printed, addressed and stamped and with the front page awaiting only Bob's cable 
from the 1960 PittCon which read "HEINLEIN KEYES SERLING FSF EMSH CRY 380 STANDOV 
HEINLEIN."  From this I was able to concoct a page-long item announcing the Hugo 
winners that year as being Heinlein's Starship Troopers, Daniel Keyes' 
"Flowers for Algernon", Serling's The Twilight Zone, The Magazine of 
Fantasy & Science Fiction, Ed Emshwiller for his artwork, and the Seattle 
fanzine Cry of the Nameless.  Heinlein received a standing ovation and there 
were 380 attendees, nowadays the number of fans who attend a room party.  The issue 
was in the mails within hours and, sent airmail to the States, was awaiting PittCon 
attendees when they returned home. 
  
  I was also grateful to various TAFF 
officers who helped me in similar circumstances.  The British officer would let me 
know the European count at the deadline and the American officer would send me a 
similar cable.  I'd add together the two sets of figures and again an issue awaiting 
only the front page would be in the mails as soon as possible after the voting 
deadline.  On a couple of occasions, Atom conjured up mastheads to cover any 
contingency, so that the issue which finally appeared would have a personalized and 
highly pertinent cartoon. 
  
  Of course, it wouldn't have been me 
if I'd not taken advantage of the possibilities offered by this situation.  The 1962 
TAFF race was a straight fight between Ethel Lindsay and Eddie Jones.  Atom had 
provided me with cartoons for either outcome.  When the Western Union cablegram 
rolled in and the combined US and European figures showed Ethel to be the victor, I 
did what any red-blooded fan editor would have done.  I ran off a special one-copy 
front page especially for the lady.  Yes, a special front page announcing that Eddie 
had been elected TAFF delegate that year.  Just for Ethel. 
  
  Naturally, the correct version was 
sent along by the following mail.  Ethel and Eddie were on the phone to each other 
immediately they'd received their copies, each happily and sincerely congratulating 
the other.  Of course Ethel was not left to suffer for very long.  Dozens of fans 
phoned her the same morning offering their congratulations.  One of the first had 
been her close friend, Ella Parker.  "Oh!" Ella said.  "One of Bennett's jokes." 
  
  She had had reason to know.  In 
February 1961, Ella had told me in confidence that she intended attending the Seattle WorldCon later that year.  She'd 
been saving for the trip and with a loan from her brother Fred could just about 
manage the trip.  On no account, Ethel told me, should I breath a word of her 
intentions nor mention her plans in Skyrack.  It should be explained that at 
that time Ella was undoubtedly British fandom's focal point, not only for her bulky 
and qualitative fanzine, Orion.  Ella invariably had out of town fans lodging 
at her apartment (I spent several school vacations with her and Fred) and Friday 
evening was open house.  The majority of fans who took advantage of Ella's 
continuous hospitality were on the whole a pretty young bunch.  Ella was of the 
opinion -- and I for one didn't disagree -- that if it became known that she 
intended going to Seattle someone was certain to set up a fund to ensure that she 
visited Seattle and had a fine time there.  An Ella for SeaCon Fund was the last 
thing Ella wanted. 
  
    So, sworn to secrecy, Skyrack 
#29 duly made no mention of Ella's intentions.  Except, of course, for the copy Ella 
received.  Its headline read "Ella Parker for SeaCon."  Ella missed the dateline on 
her special copy, 29th February 1961 and dashed off a lengthy letter to me which she 
sent express special delivery and which must have burnt the mailman's fingers.  It 
certainly scorched the paper on which it was written. 
  
  After Ella had mailed the letter, 
she phoned Ethel Lindsay who, naturally enough had no idea about what Ella was 
complaining.  After all, her copy's headline read "AMIS FOR LXICON."   Ella 
sent me a  cable which read simply, "BENNETT YOU BASTARD."  She didn't hold the gag 
against me and referred to me in similar vein, albeit affectionately, for the 
remainder of our association. 
  
  After mid-1965, the newsletter lost 
its impetus a little, perhaps because I was struggling with a new mortgage, a new 
son, teaching evening classes, taking a crack at pro-writing and attempting to run a 
mail-order second hand book and magazine business, all in addition, of course, to 
teaching at a local primary school where out-of-school hours were devoted to coaching 
a successful schoolboy soccer team.  Skyrack had become a low priority item. 
And something of a chore.  Publication slipped to a bi-monthly and even a quarterly 
schedule and even with three(!) issues in April 1966, the writing was on the wall.  
For example, Skyrack #93 appeared in November 1966 and #94, with a helpful, 
"Oh, come on now -- you remember Skyrack," didn't show up until August 1967 
four weeks before I moved to take up a post in Singapore. 
  
  The following issue therefore holds 
the undisputed distinguished record of being the only fan publication to appear from 
the island republic.  So far, anyway. 
  
  There was one more issue to come, a 
meager offering comprising mostly advertisements, but produced in July 1971 to cover 
the deaths of John W. Campbell, Jr. and August Derleth.  A sad ending to the run. 
  
  I don't think that the newsletter 
very often bubbled to the surface of my thoughts during the next couple of decades 
until fan historians like Rob Hansen and Richard Lynch began to ask questions about 
certain documented events.  Heavens!  Had I had even the slightest intimation that 
Skyrack was to be viewed as some sort of record of the times, I think that 
I'd have taken more care with that documentation.  There always was a tendency to 
assume that the reader was au fait with the background of reported events.  
I'm certain that today's newszines fall into the same trap, and I don't really think 
that it could be otherwise. 
  
  For myself, I'm fortunate in 
possessing a personal memory book of the period, full of incidents and events worth 
savoring and overflowing with the names of hundreds of people who influenced my 
outlook and who enriched my life.  
  All illustrations by Charlie Williams
 
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